The Hitda Codex is an eleventh-century codex containing an evangeliary, a selection of passages from the Gospels, commissioned by Hitda, abbess of Meschede in about 1020. It is held at University and State Library Darmstadt.[1] Hitda is depicted in the book's dedication miniature presenting the codex to the convent's patron, Saint Walburga. St. Walburga stands on a pedestal in the center of the composition, and has a golden halo surrounding her head. Behind the two women is the monastery that Hitda oversees, which fills the entire background.[2]

The illuminations are highlights of the Cologne school in the later phases of the Ottonian Renaissance. The Hitda Codex contains the only surviving Life of Christ cycle of illuminations produced in Cologne from this period.[3] The cycle's cultural context has been replicated by Henry Mayr-Harting.[4]

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Notes

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  1. ^ Hessische Landesbibliothek, MS 1640.
  2. ^ Stokstad, Marilyn (2004). Medieval Art. Colorado: Westview Press. p. 179. ISBN 978-0-8133-4114-9.
  3. ^ Noted by R. Schilling, reviewing the exhibition of Carolingian and Ottonian illuminated manuscripts at the Kunstmuseum Berne, in The Burlington Magazine, 92 No. 564, March 1950:82.
  4. ^ Mayr-Harting, Henry (1999). Ottonian Book Illumination. London: Harvey Miller. ISBN 978-1-872501-79-6.

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List of codices

Codex Ephraemi Rescriptus Codex Eyckensis Exeter Book Flateyjarbók Codex Gigas Codex Grandior Codex Hierosolymitanus Hildegard of Bingen#Works Hitda Codex

Ida (abbess of St. Maria im Kapitol)

Riemer, Dieter. "Neue Überlegungen zu Hitda, in: Klaus Gereon Beuckers" (Ed.), Äbtissin Hitda und der Hitda-Codex. Forschungen zu einem Hauptwerk der ottonischen

Saint Walpurga

The earliest representation of Walpurga is in the early 11th-century Hitda Codex, made in Cologne, and depicts her holding stylized stalks of grain. In

Exorcism of the Gerasene demoniac

Jesus exorcising the Gerasene demoniac, from the Hitda Codex manuscript

University and State Library Darmstadt

from an 11th-century manuscript from the Abbes Hitda von Meschede (Hitda Codex) Text of Gero Codex The first page of the score of Christoph Graupner's

Ottonian art

those at Salzburg, Hildesheim, Corvey, Fulda, and Cologne, where the Hitda Codex was made. This scene was often included in Ottonian cycles of the Life

Miniature (illuminated manuscript)

example with Hitda Codex), Trier, Regensburg and, above all, Reichenau Abbey (for example with Gero Codex, Petershausen Sacramentary, Codex Egberti or Egbert

Ottonian Renaissance

the Reichenau Evangeliary, the Liuther Codex, the Pericopes of Henry II, the Bamberg Apocalypse and the Hitda Codex. Hroswitha of Gandersheim characterises