Diaschisma on C Play.
Diaschisma as four perfect fifths plus two major thirds.

The diaschisma (or diacisma) is a small musical interval defined as the difference between three octaves and four perfect fifths plus two major thirds (in just intonation). It can be represented by the ratio 2048:2025[1] and is about 19.5 cents. The use of the name diaschisma for this interval is due to Helmholtz; earlier Rameau had called that interval a "diminished comma" or comma minor.

A diaschisma is the difference between a schisma and a syntonic comma,[2] as well as the difference between the greater chromatic semitone (135:128 = 92.18 cents) and the just minor second (16:15 = 111.73 cents).[3] Medieval theorists Boethius and Tinctoris described the diaschisma as one-half of the Pythagorean minor second, or 256/243, which would make the other half either 25/24 (70.67 cents) or about 45 cents. The diaschisma may be approximated by 89/88, 19.56 cents.

three octaves (above) and four perfect fifths plus two major thirds (below)

Tempering out the diaschisma, in the modern meaning of the term, leads to a diaschismic temperament. The diaschisma is tempered out in the usual system of 12 equal temperament; in fact, 12 equal temperament can be characterized as the 5-limit temperament that tempers out both the syntonic comma of 81/80 and the diaschisma. However, it is possible to improve the tuning a good deal over that of 12-et and still temper out the diaschisma; the equal temperaments with 22, 34 and 46 notes all temper it out.

See also

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References

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  1. ^ Haluska, Jan (2003). The Mathematical Theory of Tone Systems, p.xxviii. ISBN 0-8247-4714-3. Diaschisma.
  2. ^ "Diaschisma", Merriam-Webster.com.
  3. ^ (1897). Columbian cyclopedia, Volume 9, np. Garretson, Cox & Company. pre-ISBN.

📚 Artikel Terkait di Wikipedia

Schisma

limma to the Pythagorean limma; the ratio of the syntonic comma and the diaschisma. Schisma is a Greek word meaning a split or crack (see schism) whose musical

Five-limit tuning

negative size in cents). We obtain commas of four different sizes: the diaschisma, the lesser diesis, the syntonic comma, and the greater diesis. Since

Microtonality

"Comma, Schisma" in the same reference source calls comma, schisma, and diaschisma "microintervals" but not "microtones", and in the fourth edition of the

Tritone

(41.1 cents) Greater diesis (62.6 cents) Septimal diesis (35.7 cents) Diaschisma (19.5 cents) Semicomma (10.1 cents) Septimal semicomma (13.8 cents) Kleisma

Diesis

third and 2 octaves; measure of fifth tempering in well temperaments diaschisma ⁠ 2 048 / 2 025 ⁠ 19.55 sixth-comma meantone schisma ⁠ 32 805 / 32 768 ⁠

Interval (music)

has been used to mean other small intervals: see diesis for details. A diaschisma is the difference between three octaves and four justly tuned perfect

Cent (music)

(41.1 cents) Greater diesis (62.6 cents) Septimal diesis (35.7 cents) Diaschisma (19.5 cents) Semicomma (10.1 cents) Septimal semicomma (13.8 cents) Kleisma

Semitone

meantone semitones. Finally, while the inner semitones differ by the diaschisma (2048:2025 or 19.6 cents), the outer differ by the greater diesis (648:625